Disney is notorious for its direct-to-video sequels from the early days. And somehow, Disney’s sequels remain no less divisive, if only because their original material is so enduring. With such novel, innovative worlds, their sequels must earn the mere right to exist. Nostalgia alone is a massive hurdle, jeopardizing cherished characters that generally don’t require further stories. Further, artistically speaking, the characters and plot must also feel organic to the origins.
It’s a tricky gambit that could easily fall into the trappings of a cash-grab attitude. But Frozen II mustered enormous success, and a new decade is nearly here. So, here’s how IMDb users rated the last ten years of Disney sequels.
Planes: Fire & Rescue (2014) - 6.0
Planes was the spin-off of a franchise that mustered a trilogy of its own but never felt especially robust to begin with. While Dane Cook has an animated voice, the visuals themselves are distinctly lacking. But most of all, the desired level of screenplay sophistication just isn’t there, despite Disney’s established potential.
This is precisely what general audiences tend to think of when it comes to bargain bin, direct-to-video sequels. It’s a flashy, colorful distraction for younger viewers, for whom it has its moments. It even improves on its predecessor. Unfortunately, it’s largely inferior by brand alone.
Cars 2 (2011) - 6.1
The Cars franchise, so conducive to toy sales and even video games, has certainly seen its ups and downs. With an extensive reliance on Larry the Cable Guy, this sequel abandons parents altogether. While the original was something of an enjoyable small-town romance, and lesson on humility, this is just a spy romp.
It’s certainly daring and new, and maybe fun for some. But it’s also rather over-indulgent, and IMDb users exercised corresponding judgment. Owen Wilson is still a perfect match for McQueen, and Michael Caine is a fun reference for the adopted genre. But the breakneck pace leaves little room for character or even sly humor. And there’s certainly little in the way of learning.
Cars 3 (2017) - 6.7
This is yet another divisive entry for the troubled franchise. It restores a sense of maturity, but perhaps out of line with the original’s intent. The concept of age and retirement was later handled more seamlessly with Woody and Andy. In this case, the themes don’t quite fit, particularly after part two.
Almost as an overcorrection, the tone which rounds out the trilogy has slipped in the opposite direction. With regards to the female racer, well, it isn’t nearly the ‘propaganda’ some would have you believe it is. But the ending alone is certainly challenging for fans of the franchise, leaving this movie well below others listed here.
Ralph Breaks The Internet (2018) - 7.1
This sequel isn’t nearly as charming as the original but still retains enough clever humor and heart. The world of video games which felt so unique is completely abandoned, for a frank view of the internet. Which is, unfortunately, less interesting. The story could have easily incorporated the many highs and lows of online gaming.
But instead, it opts for discussing the internet in general. The relationship of the protagonists is still endearing and compelling, at least. But the new conflict and themes just feel less inspired than the original. Even Fix-It and Calhoun are reduced to the sidelines for a recurring joke that wears thin. The animation and general sense of humor are ultimately fun, but the movie’s true flaw is simply being lesser than the first.
Frozen II (2019) - 7.3
Despite its success, this movie has a surprisingly low vote count, which will be used here to resolve ties. This is a decent follow-up to a massive hit, with equally noticeable flaws and enjoyable highlights. Missing the novelty of the original is a resounding loss, and the story is generally predictable for older audiences. Perhaps even those who grew up with the first. Worse, the elemental concepts are a tired fantasy trope by now.
However, the character progression is on point, the animation is gorgeous, and much of the music is entertaining as ever. That really helps to nudge the story along, and the comedy also generally delivers. Olaf’s meta recap alone is worth the price of admission.
Finding Dory (2016) - 7.3
While Finding Nemo was a sweeping adventure, this sequel is mostly constrained to a single location. But there is certainly plenty to say regarding Dory herself. Treating her as an enduring character despite her disability is touching and handled well. Her parents boast great actors, but few of the new characters are half as memorable as the ensemble of the original.
Alongside the finale with a driving octopus, this sequel pushes plausibility and its actual necessity to the brink. Still, there are plenty of jokes that do work, and the overall sense of poignancy and consequence isn’t lost.
Monsters University (2013) - 7.3
This retcon meeting between Sully and Mike makes for plenty of fun humor but denies much of the original’s heart. The university setting certainly appeals to older audiences that grew up with the first film. But it also stymies the same level of creativity, reducing the plot to surprisingly familiar tropes. Unfortunately, a sequel that was set after the original’s ending could never live up to that closing shot.
This story was written into a corner right from the beginning. The hijinks will be enjoyable nostalgia for fans, but any sense of innovation or poignancy isn’t quite up to par. At least, until the captivating ending, which may have been the impetus for this movie and its setting all along.
Incredibles 2 (2018) - 7.7
This is another class of sequel, especially noticeable amidst the constant intake of annual superhero fare. The Incredibles was a brilliant, witty comedy for and about families. And while the new thematic material is less vibrant, it’s still compelling. Gender issues are rarely handled so well, and while technological deterioration of the masses may be tired, it’s no less relevant.
The story itself invokes a typical 50’s sitcom, which is disappointing on paper but executed well. The action is exhilarating, the comedy is witty, and the new cast is fantastic. Even the catchy music carries over, aside from the indulgent blunder of including Bond’s theme. This is an intelligent, character-driven sequel that effortlessly picks up from the original as if time had never passed.
Toy Story 4 (2019) - 7.9
Woody’s relationship with Andy has always been the crux of the franchise. While the original trilogy was all about friendship, Woody assumes a parental role, here. Themes of raising a child, and being left without them, are truly moving ideas. This sequel is every bit as sophisticated as the rest, by finding the next interesting chapter in Woody’s life. Further, it explores the mystery of Woody’s missing love interest, who provides a modernized female role.
The transformation is very welcome, after her flighty romantic simplicity in previous films. The new characters are every bit as charming and fresh, and the comedy is brilliant. Even regarding Forky, who could have easily gotten out of hand.
Toy Story 3 (2010) - 8.3
Toy Story ushered in an entirely new era of animation, and its profound sequels have long proven to be a staple of millennial childhood. With said fans having long reached adulthood, this sequel is particularly heartbreaking and heartwarming alike. It was a perfect conclusion, that recycled familiar themes in new, inventive ways.
The prison-break story is clever, with slick suspense and bold new comedy. Even the recurring joke for Buzz, with his language alteration, is far superior to his implausible obliviousness in part four. This film captures nostalgia in the purest, most authentic and emotional way imaginable. But it never loses sight of making a great movie first.
